Images, thoughts, occurrences, rants, opinions (be warned!) and reflections on culture. Documenting the minutiae of my humble existence, whenever the mood strikes.
"Alone, even doing nothing, you do not waste your time. You do, almost always, in company. No encounter with yourself can be altogether sterile: Something necessarily emerges, even if only the hope of some day meeting yourself again." (E.M. Cioran)
Tuesday, May 22, 2007
Friday, May 18, 2007
Trentemoller - The Last Resort
Listening to my new cd reminds me of the 1970s and those concept albums that we all thought were 'JUST SO AMAZING'. And of jazz/fusion albums (I could swear he uses actual samples) from the same era - that were, in themselves, sophisticated audio experiences we took the time to sit back and listen to from beginning to end.
Trentemoller's sound - kind of cut-up electro-dub - is chilled and always experimental - even infectiously danceworthy at times. First-listen favourites are 'Evil Dub' and 'Always Something Better' - total killers! There appear to be no duds really, since every track is inventive in some way though, for me, 'Chameleon' dragged on a bit within pretty familiar territory. Overall, there is definitely that minimalist dub vibe and I'm reminded of Pole, Thomas Brinkmann and even a hint of Mouse on Mars and Irresistible Force. But something more is going on here. The music stands out as almost neo-classical - working (for me, anyway) as a kind of referential audio cut-up of contemporary music and bourgeois metroscapes, though it is highly distinctive in its own way as ultra-modern techno. I think it's up there with The Knife's 'Silent Shout' as a modern classic.
Hauntingly beautiful, intelligent, infuriating, cool music.
Trentemoller's sound - kind of cut-up electro-dub - is chilled and always experimental - even infectiously danceworthy at times. First-listen favourites are 'Evil Dub' and 'Always Something Better' - total killers! There appear to be no duds really, since every track is inventive in some way though, for me, 'Chameleon' dragged on a bit within pretty familiar territory. Overall, there is definitely that minimalist dub vibe and I'm reminded of Pole, Thomas Brinkmann and even a hint of Mouse on Mars and Irresistible Force. But something more is going on here. The music stands out as almost neo-classical - working (for me, anyway) as a kind of referential audio cut-up of contemporary music and bourgeois metroscapes, though it is highly distinctive in its own way as ultra-modern techno. I think it's up there with The Knife's 'Silent Shout' as a modern classic.
Hauntingly beautiful, intelligent, infuriating, cool music.
Subscribe to:
Posts (Atom)